Bad Bunny 
Rolling Stone Magazine

The Puerto Rican icon photographed ahead of the release of his album DeBÍ TiRAR MáS FOToS

A Together Project

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Amona 


New York Times Magazine

Expedition to find out why had immigrants, pirates, seekers and pilgrims been drawn for centuries to the treacherous shores of Mona Island.

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Reparations
Time Magazine

How Barbados became the arguable center of a global push for slavery reparations.

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Texas Mums
Google

A look into the culture of the homecoming tradition of Mums for data driven documentary series.

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Sinking Countries
Time Magazine

Global average temperatures have risen so rapidly—already 1°C since the beginning of the industrial era—that the very existence of these nations in the Pacific is in doubt.

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Compton Cowboys
Google

A look into the Compton Cowboys for data driven documentary series.

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Guyana Oil
The New York Times

“We see this oil discovery as almost like providence, we’ve been given a second chance to get things right.”

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The Legend of Jacinto’s Gold
Bloomberg Businessweek

Two families, their lawyer and the quest for ancestral riches that may not exist.

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Gregory Rivera uses photography both as evidence and unreliable narrator. Rooted in a background in documentary photography and photojournalism, he approaches image-making as a form of research. His work interrogates how photography shapes culture, memory, and political understanding, exploiting its evidentiary qualities to question how truth is constructed and visualized. Through a practice that spans documentary, still life, and archival inquiry, he rescues, deconstructs, and reconfigures historic narratives to better understand the present and imagine alternative futures.

His most recent project, Las Carpetas, reimagines political memory in his home of Puerto Rico by retrieving, photographing, and appropriating documents from a secret police division that surveilled and persecuted citizens for their political beliefs. As Aperture Magazine noted, “Gregory-Rivera’s work offers the opportunity for us to consider the record of political persecution and to imagine new ways of healing and moving forward.”

The book El Gobierno Te Odia (The Government Hates You), based on the project, won Best First Photobook at PhotoEspaña 2024, was shortlisted for the Paris Photo/Aperture Prize in 2023, and shortlisted for Best Image/Text Book at Rencontres d’Arles.

In 2025, Gregory Rivera founded the Instituto de Observación Colectiva, an initiative supporting lens-based artists, documentarians, and archival practitioners working with Puerto Rican history, identity, and collective memory.

He is also one half of the creative duo Together, and works between New York, Madrid, and San Juan.

Commercial Portfolio Available Upon Request

chris@gregoryrivera.com
@cgregoryrivera
Are.na


Exhibitions
2025Sereno No Me Mandes A Dormir*
Museo de Arte Contemporaneo,
San Juan, PR
2024
Format Photography Festival
Derby, UK
2024


Close Readings
Smack Mellon,
Brooklyn, NY

2024
Laja Sobre El Mar
Hidrante Gallery, 
San Juan, PR
2024

Sunlight on the Sea Floor
Museo de Arte Contemporaneo,
San Juan, PR

2024
Counter Histories
Magnum Foundation, 
New York, NY
2021
Monitor: Surveillance, Data, and the New Panoptic
Maine Institute of Contemporary Art,
Portland, ME

2021


Las Carpetas*
Abrons Art Center,
New York, NY

2020
Temporal: Puerto Rican Resistance Museum of Contemporary Photography, Chicago, IL
2018

Ruta Del Progreso
Espacio Publica,
San Juan, PR

*Solo Show


Awards & Honors2024

Winner Best First Photobook 
PhotoEspaña
2024

Image/Text Book Shortlist
Rencontres Arles Prix du Livre
2023

First Photobook Award Finalist
Aperture/Paris Photo Book Award
2023

Risograph Resident
Penumbra Foundation
2022

Counter Histories Grant
Magnum Foundation
2019

Joop Swart Master Class
World Press Photo


Selected Press 
& Artist Talks
2025
99% Invisible Podcast
Interview
2025Fotofestiwal Łódź
Artist Talk
2025British Journal of Photography
Exhibition Review
2025

San Telmo Museoa, Donostia
Artist Talk
2024El Gobierno Te Odia Documentary
Aperture x Magnum Foundation
2024We See it All
Aperture Magazine Portfolio
2024Eidolon Journal
Interview
2021 La Brega Podcast  (ENG)   (SPA)
Adaptation of Las Carpetas, WNYC
2020Museum of Contemporary Photography
Artist Talk
2018Slow Violence, Slow Photography: Chris Gregory’s Portrait of Puerto Rico after Maria
Reading The Pictures

Selected Clients
Time Magazine
The New York Times
National Geographic Magazine Google
The New Yorker
Boomberg Businessweek 
Rolling Stone 
Saks 5th Avenue
A&E Networks
Apple
ACLU Magazine
GQ
Dickies
Aguïta
The New York Times Magazine
Bon Appetite
Mellon Foundation
The Wall Street Journal
El País Semanal
Genius
NPR
     




El Gobierno Te Odia (Book)
2022-2024

By appropriating images from the secret police archive, the manual they supplied their officers on how to watch as well as present day surveillance footage; the book recontextualizes largely forbidden and forgotten political history in Puerto Rico.

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Las Carpetas
2014-2022

Rescuing a never before seen state surveillance archive, it reconstructs the visual history of one of the longest continuous surveillance programs on US citizens by their own government. From the 1940’s until 1987 a secret police unit was tasked with politically persecuting those advocating for independence from the US, feminists, labor organizations and environmental activists under the guise of national security.

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Sereno no me mandes a dormir
2024

A collaborative archive of a community at risk as well as a lyrical meditation through the people and architecture of El Caño Martín Peña for us all to learn— maybe— to  find home. 


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Emotional Geography
2019

Based on a family archive this work is a portrait of  the emotional and mnemonic contours of physical spaces separated by 60 years of time. 


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Ruta del Progreso
2017

Tracing the Panoramic Route on the island as allegory to evaluate what role “progress” has played in Puerto Rico and how this imposed notion of the American Dream became central to the identity as well as political culture of the island in the post-war period. 

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